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Marine does not fault anyone for reading into the designs, but cautions against obvious inferences leading to facile takes on the concepts, societies, and traditions they may represent. She was fortunate to have the full backing of her parents, who saw value in the process of exploration and had already noticed some signs of raw talent in their daughter. The collection is a celebration of the hybridity Marine continues to find herself so enamored with, combining influences from modern day athletic-wear and traditional Arab garments akin to the hijab.
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But it was her graduating collection, entitled Radical Call for Love, that would boldly announce her presence to a global audience, captivating everyone from the young enthusiasts to the industry elites. But Marine has always been self- assured, and was not about to make concessions in the name of any obligation to industry or trend.
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Success, to her, might be the collection standing up on its own, supported not by her leadership or celebrity, but by a community of like-minded people engaged in the design, production and appreciation of the pieces. A group bound by the shared ethos manifest in the garments, with all their familiar hallmarks—athletic fabrics and fits melded into elegant silhouettes, polycultural iterations of the signature head-coverings, and of course, the ever- present moon, a symbol that Serre hopes might one day supplant her altogether as the face of the brand. She made a habit of classifying and organizing them, building little looks out of different combinations. So off she went, at the age of 14, to an internat—a sort of academic internship—near Limoges.